TV and movie blurbs from the cyber ghetto.
There’s a writers strike on and it will effect your favorite show soon. The Office will be one of the first hit because the cast is refusing to cross the picket line.
Another reason to love their cast.
Hollywood needs to give them what they want. They deserve a larger cut of all the new media. Good actors and producers are a lot easier to find than good writers. It all starts there unless we’re going to just become a media of reality shows.
And as far as I;m concerned watching a reality show right now is akin to crossing a picket line. So go watch The Amazing Race you scabs.
Strike shouldn’t effect Heroes much because I don’t think the Manatees writing this crap are in the writers guild.
The actors who have to act this stuff should be protesting.
So on to the tv itself and we may as well start there.
I am almost done with Heroes.
Watching this show reminds me of the inertia of a bad relationship. Heroes is like a girl you date because she’s pretty. For a while the shortcomings and superficiality of things are buried under the gloss and novelty. But as time goes on you get bored and realize there is no substance to the relationship. I had hints last year but didn’t want to believe. I was lonely and she was there and looked good in a pair of jeans. But I can’t hide from the fact the relationship is a shallow one and the sex is now empty.
This kind of girl can be very popular. Look at the ratings. But judging from the internet a good deal of the many who have been in her pants are coming to the similar conclusion that there’s not much in there. Not enough to warrant how empty her head is and how little she ever changes.
Pushing Daisies I’d date though. Right here right now. But I’d be scared it was too good to last and probably sabotage things.
It’s the best new show of the season in my humble.
It’s whimsical, silly, heartwarming, sweet, arresting, well played, and visually beautiful. The novelty could wear off and I’m leery that this thing won’t hold up though. ABC recently ordered a full season while at the same time cutting it’s budget. So a dysfunctional relationship metaphor may be developing for me here as well.
But though the show can be overly cute, the way they present it with a fable like quality just really makes it ok for me. It’s kind of like The Princess Bride mixed with Edward Scissorhands without the evil Tim Burton making things too pretentious and mixing in an element of creepy ego and misunderstood genius.
Ned and Chuck have that enforced distance of Depp and Ryder in that movie and the look of things invokes many Burton movies. But no one is pretending that there’s more beneath the surface here. There is but it’s more naturalistic and sweet. Like Princess Bride. It’s a fable for fable’s sake.
The frustration between Chuck and Ned is palpable. And the acting is quite good. Chuck is possessed of that rare combo of hotness, cuteness, adorable-ness and approachability that most of us geeks want in a woman but will probably never have. She really has something going on. She’s the biggest reason I’d sate the show if I could date a show. All the supporting players, mainly 4, all have something very endearing about them. Emerson’s asides in reaction to the cuteness going on around him are usually amusing, Olive, even when singing Hopelessly Devoted To You has that wild card edge but is likable and kind, and Chuck’s Aunts are sympathetic quirky old maids.
There really is no bad guy or overarching story though. And the mystery of the week thing as Ned raises the dead to find out who killed them may get old. They still manage to do it in a fairly fun way and its rather incidental nature works. But in the long run they may have to come with some more substance or Buffyverse type thread to the season.
But the show is just plain old charming so far and even when being sentimental it works and leaves me holding back the eye sprayage.
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Chuck, the TV show.
Again, no overarching story. Seems like the same story every week. Getting old very quick.
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Journeyman is actually the best thing on NBC’s sci fi oriented slate this season. The acting is really good and despite being bogged down by the Quantum leap like story of the week as Dan saves somebody in 70′s, 80′s, and 90′s era S.F., the show is starting to incorporate some ongoing storyline threads and mythology.
But it’s still take it or leave it.
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The Office is still awesome. JIm and Pam are together and I like everything about that. For those who need relationship conflict we have the far more strange triangle of Dwight, Angela, and Andy which nevertheless has had some touching moments. This show is just so subtle and untraditional, but it makes with the funny nevertheless. And it is still doing so this season even with the hour long episodes the first month. Good to see the ratings have actually gotten better on this show.
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Bionic Woman. Can take it or leave it. Not as bad as some make it out to be. But I wouldn’t embark on a quest to get it back if it disappeared tomorrow. They should have let her use her regular accent. For the episode she used it playing an English transfer student I was so turned on I thought I would have a bionic episode in my pants. And I wasn’t bored every second Katee Sackhoff was not on screen which has sometimes been the case.
Speaking of Katee word is Galactica is being pushed back to April now. And that we might get only 10 of the final 20 episodes with the other 10 sometime in 09.
This is perhaps one of the shittiest things perpetrated on the American public in the past decade that Dick Cheney had nothing to do with.
Or did he?
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Friday Night Nights. Still good but not as good as last year. Recent events conspiring to get Taylor back to Dillon felt like a predictable cop out.
THe murder thing with Landry and Tyra isn’t a direction I would have gone in. Although Aaron Pierce may have to cover things up for his son and it’s always good when Aaron Pierce has to get involved. But Landry seems smart enough to have just taken his chance with the police. The guy had stalked her and tried to rape her in the past. Even though he was walking away Landry probably would have gotten off the hook. I know they needed something to weld her to him since, as even his own father Aaron Pierce knew, there was no way a guy like Landry was getting a girl like Tyra. But it still just added a little too much soap opera to a show pleasantly above that genres normal convections.
But her playing that look in the mirror card after Aaron pierce got all “I know what’s going on and you better stay away from my boy who has never lied to me before,” was pretty sad right after Landry had his Football moment.
And Lyla going all born again actually rings pretty true. Especially in a small Texas town. And after her transgressions it’s not a stretch that she’d retreat to some easy salvation giving her that sense of superiority at a time she was feeling her most inferior. And Tim sort of ambivalently following her into it, mostly even if unconsciously, to get back in her pants, isn’t hard to imagine having happened in such circles a million times.
Jesus freak or not lyla remains one of the hottest women on the tv right now.
And Aaron Pierce is doing a tremendous job posing as a small town cop and father while waiting for Jack Bauer to need his help stopping terrorists.
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The 24 trailer.
despite last season I’m getting a little pumped. Part of that is being ready to say goodbye to Heroes and start a new relationship in that time slot. Like returning to an old girlfriend you had some really good times with but though you’re still friends, you just drifted apart because she got a little weird there for a while last year when her dad became one of the leaders of a terrorist plot to blow up stuff in L.A. and you found out that her brother was behind all the troubles you had with her the prior year.
And then that little hotty showed up on NBC and you went for it. But now that’s almost over and the old girlfriend really was fun and is promising to get her shit worked out. And she’s hanging with your old bud Tony Almeda again and says he’s acting really different and she’s not like into him or anything but as friends we can all hang out again while she and I have all those benefits and all that.
Am i pushing tv-dating metaphors too hard?
Can you tell I haven’t had a date in a while?
Well now due to the strike 24 will not start second week in January as planned.
So I may have to pleasure myself with my own Jack Sack and Magic Hoody for a while longer.
Anyway, started Netflixing Deadwood.
After 3 shows I got to say this is really, really good. Just a few minutes into ep 2 I felt like these characters had been so well established and defined that I’d seen a dozen episodes. And the 2nd ep was just riveting. Really well acted, written, and made. What was HBO thinking? It kind of sucks knowing Swaringen is still alive as of the end of it’s third and final season. I have such a need to watch this guy suffer now. And man does he pour on the evil well. That is one scary son of a bitch.
And in an entirely plausible way which is rare.
There were rumors about wrapping things up with a couple of movies on HBO. But right now that’s going nowhere. Hopefully that will change.
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Saw Idiocracy on the cable the other night. Mike Judge made it. It’s live action satire borrowing a bit from Futurama. Luke Wilson is the most average guy in America and gets put into hybernation for a year that turns into 500 years. Due to idiots tendency to breed more than smart people with careers when he wakes up America is really stupid and he’s a genius in comparison.
It was enjoyable. If I had paid to go into a theater and see it would I have liked it as much? Not sure. But if you have the chance to catch it do so. Your host Angry Bob who though he resides in the more upscale part of this cyber neighborhood, is someone who i think would appreciate the movie.
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Saw American Gangster.
Was it just me or did Ridley Scott try and throw some Godfather references in there? Or were they just blatant ripoffs for a new and cinematically uneducated audience he was going for with this urban gangasta forerunner of much modern hip hop music, attire, and attitude?
The are thing Denzel did when he was pissed about them shooting at his wife. His walk. There was something Pacino-esque there. The way Michel seemed to develop a primal strut as the first movie went on and he became more of a killer and family man and less the college boy. Denzel seemed to have that walk from the beginning of this movie. I wonder if that was calculated or if I was just imagining things.
But it was good. Not great.
Where was he going with that Crowe speech about Lucas representing progress to the old guard Italian mob? Progress?
Really?
Change yes. Most definitely he represented a change they were not comfortable with for many reasons in addition to his race.
Although Ridley Scott doesn’t shy away from the bloodily ruined lives in Lucas’s wake. He’s glamorized to a point but it’s not quite Superfly. But in the end I’m not sure this story was that interesting to warrant a 2+ hour movie. It was worthwhile. And the authentic little 70′s era NY City touches were enjoyable for me. Even seeing those paper cups with the little wing handles on them that used to be so prevalent was pretty cool. They’re so ugly now. Most of it was. But Scott did a pretty good job capturing that feel even if he may have cut corners on the facts as some have reported but I admittedly haven’t bothered to research.
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Done with book 2 of Neil Stephenson’s Baroque Trilogy, The Confusion. Completing this series and wrapping a decent portion of my head around it has become my life’s work. I actually read the first book Quicksilver and it’s 900+ pages twice. They were a year or so apart though. I needed a refresher before going into part 2. I’m reading other books around them. Or at least parts of other books. But I will finish this thing.
Mainly because it’s good. It fulfills my geeky need for sci fi escapist trilogies while still not insulting me with implausibility. It’s really dense stuff capturing so much of what was going on in the late 17th and early 18th centuries. There’s really history there mixed with fictional characters and situations that elaborate on and draw meaning from the events that were going on. Those events included a changeover in financial systems from being land based to a more liquid commerce and credit based monetary system. The roots of our own capitalism and free market are there mixed with attendant philosophical dilemmas rooted in the conflict between Isaac Newton and Willfred Leibnitz. Part of that was the argument over calculus and who invented it. But it’s also about determinism vs free will and the mechanistic natural philosophy of the Royal Society and the Alchemy Newton clung to in order to try and continue to incorporate some magic, or hand of god in his science.
And that’s not even mentioning the 3 main characters, Daniel Waterhouse, Jack Shaftoe, and Eliza. All are interesting and smoothly interwoven into this world that includes Louis XIV’s court, the fluctuations in England’s monarchy as Charles becomes William Of Orange and the Dutch takeover after the Restoration, Barbary pirates, Solomon’s gold, and the seeds of the enlightenment being planted by real historical figures such as Huygens, Robert Hooke, and the aforementioned Newton and Leibnitz.
Really amazing stuff. I’m quite impressed with Stephenson now though there are times you really have to battle through and wonder if there could have been some more editing. But dragging things in spots isn’t without some value as it creates atmosphere and really imbibes of the period and made me feel a bit of what it was like to live in that world.
Spoiler Alert:
And the ending setting up an unforseen conflict and battle of wits between our own picaresque vagabond hero Jack vs Isaac Newton now in charge of the Royal Mint, was really pleasing.
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