Some reaction to new tv shows.
Jericho seems like it will run out of steam but I liked the first episode and was ok with the second. The show resorted to alot of cliches pretty quickly but still has that inherent Red Dawn-Day After Tomorrow type allure. Among the tropes they pulled out in the very first episode was the returning prodigal son, the prison bus which gets wrecked as the nukes hit releasing said busfull of convicts into the Kansas area community, the perspective speech delivered by the mayor to calm the frenzied townspeople (made me think of Stan on South Park), the imperiled busfull of school kids saved by the prodigal son who does the standard on the fly tv tracheotomy on a little girl using pens, and in episode 2 the last second shootout in which our hero arrives in the nick of time.
But I’m still interested in seeing how they maintain suspense when the questions about what’s out there don’t seem quite as mysterious as Lost’s mysteries. If it merely becomes a post-apocalyptic survivalist show I’m going to lose interest. And besides the aforementioned cliches I’ve got issues with the implausibility that the President would be allowed to talk on tv while at least 2 nukes were incoming. I mean don’t we have early detection radar to give us a heads up for that? That’s the whole point of nuclear standoffs like that with Russia in the Cold War. Once somebody launches we know and launch right back. Mutually annhilating missiles passing in the night.
Could multiple nukes land all across the U.S. without a few minutes notice?
And how does a small Kansas community go through 2 days of apparent armegeddon and nobody mentions Jesus?
What’s the matter with Kansas indeed.
Studio 60 On The Sunset Strip.
Great show but I don’t think it has a chance.
I guess you could label it a dramedy in the mode of Ally McBeal but without as much of a slapstick aspect. The writing is tight, the acting suitably intense and slyly deprecating, and the production values sleek and full of scope.
But the show is probably too self-referential for a mass audience. Sorkin’s last effort, The West Wing is echoed in some of the kinds of dialogue and production techniques (though I admit I never saw a full of episode of that show), but you have to wonder if that kind of gravitas, despite a more humorous air injected into these proceedings, is too much when the stakes are television as opposed to politics and the White House.
Personally I can still get into it because the show is about more than the running of the SNL-like Friday night comedy sketch show Studio 60 On The Sunset Strip. The first episode makes statements about the state of the medium as a whole as well as dabbling with religious controversy. Judd Hirch interrupts the opening segment featuring another Bush is stupid oval office address much like SNL does ad nauseum, and goes on a Howard Beel rant after his Crazy Christians skit gets pulled despite reported brilliance. The Beel comparison is not lost on the media who quickly go on the air invoking PAddy Chiefsky’s movie and the “We’re fed up and not going to take it anymore speech. As new network exec Jordan played by Amanda Peet says, “At least they’ve heard of Paddy Chiefsky,” or something to that extent.
I like that the show doesn’t feel a need to explain itself too much and leaves it to the viewer to figure out little things like network news going to air with this after a late night Friday airing occurring simultaneously with a Writers Guild Award dinner because we can assume the show is airing live on the East Coast and the news footage is local West Coast media responding to the unprecedented Hirch explosion.
Or not explaining that a press conference being watched on tv’s at the studio in ep 2 is a closed circuit feed and not national news coverage as some thought. There are character driven subleties too that you don’t get hit over the head with. And as far as characters go I’ve definitely fallen into self-identification mode with the Matthew Perry character Matt who broke up with a Studio 60 cast member due to her going on the 700 CLub to plug a spiritual album. He calls Pat Robertson a bigot, makes a KKK comparison, and when reunited with the acctress-comedian refuses to accept that this isn’t a small enough issue to forgive and forget over.
Particularly loved his scene when he wins an WG award after explaining to his table that they broke up over her rendition of the national anthem at a Dodger game. When his name is called he doesn’t hear or notice so absorbed is he in his pain killer haze from back surgery and lamenting over the girl, that he thinks his table, icluding his writing partner Danny, are rising to hug him to console him over the breakup. “Yes I do miss her. Thanks, I appreciate your support,” he says as Danny opens his arms for the proverbial post announcement moment before being informed by him that he actually just won.
But the show really does a great job of capturing the behind the scenes atmosphere of a comedy sketch show as well as the world of network tv and its attendent politics. I don’t see it getting good ratings. The ratings fell pretty sharply from the debut, and even from the first half hour, indicating perhaps that alot of people left over from Deal or No Deal and its rather mindless premise couldn’t quite stay with it in week 1. Nor did it hold as much of Heroes highest rated new show debut in week 2.
Which brings me to: Heroes.
Yeah it’s got X Men elements as well as Unbreakable and maybe a little Smallville. But there were enough suggestions of something other than natural mutation going on in the first episode to make me feel a bit better about things. There’s actually a suggestion of an X Files type conspiracy related to the emergence of these powers this disparate group of people across the world have suddenly discovered. There’s even a neat little twist as to who one of the behind the scenes players is.
The writing wasn’t great but it might be possible they were going for a comic book style flatter verbal dynamic with lines like “We’re all quite small really aren’t we,” when an Indian guy who may not have any powers per se but who’s father was on to something regarding these new genetic variations, comments about an eclipse being a global event shared by all, which it isn’t really.
He does an opening and closing voice over that was a bit melodramatic as well. But overall I liked the characters, especially the Japaneese Hiro who has some kind of power over the time-space continuum. He adds a nice touch of nerdy realism and relatable excitement and joy to the proceedings. He also gives the show a chance to acknowledge and pay its respects to some of its possible influences with him not only alluding to Star Trek numerous times, but giving props to the aformentioned X Men, in particular #143 when Kitty Pryde time travels.
And alot of it takes place in Manhattan which always works for me. Definitely a show I’ll give a chance for a little bit and see if it gets better or worse. There’s potential for something unique to network tv here, but also the lurking possibility of alot of silliness and recycling of old ideas for a new venue.
Six Degrees
Set in Manhattan this show mixes multiple character and plot strands whose primary allure is that they take place in Manhattan. The show is on location and captures alot of the city flavor pretty well allowing me the vicarious thrill of leading an interesting and urbane life in the city I love but can’t afford to live in.
Most of the characters are interesting and have something, some thing, that makes them careworthy. But the connections that have them flitting through each others scenes and storylines are sometimes tenuous and superflous, pushing the six degrees of seperation thing a bit too hard at this point. The title of the show and its novelty could still be a bit of an uneccesary conceit.
And nobody seems to know Kevin Bacon.
But it has an indie film, script, character and life driven sensibility that may only appear unique to me for network tv because I haven’t watched much network tv the last few years. In fact I’m sure there are some articles out there that might compare it to certain independent films of recent years though I can’t remember any of the particular movies at the moment.
Kidnapped. The first ep had its direct rips from Ransom, including one of the actors, but again we get a NYC on location setting which had me at hello. The acting is great, and the show has a cinematic feel to it. I’m not sure where it can go long term with one rich kids kidnapping but I liked the premiere even if it did resort to rock music too much. Usually I like that but it needs to be less reliant on making a scene work. Having to go there too much may indicate covering for writing and plot weaknesses. Jericho is guilty of resorting to the FM radio as well to try and tell the tale.
Both of these shows need to choose their songs more wisely and use them more judiciously. This is as opposed to Studio 60 which used Queen’s Under Pressure sans lyrics to nice effect at the end of ep 1 and had a very nice dramatic wash into what looked like Chuck D from Public Enemy doing a dramatic rap number as the musical host on the edition of the show that Hirch went off on after all Hollywood Hell starting breaking lose offset. Gave me the tingles it did.
It doesn’t premier until after Lost on Wednesday but I may give The Nine a shot too. It’s getting decent buzz, the commercials have a cool creepy, intense vibe going on, and it’s another one of these shows with premises it’s hard to imagine going on for multiple seasons.
As for old favorites, well Lost starts up this Wednesday. Things should move more this season since the show has gotten alot of heat for its stagnant filler filled stretches last year. We get 6 or so to start the season and then a hiatus for about 3 months before going into 24 mode and riding right through the end of the season sans repeats. This week we get the 3 prisoners and some Others backstory apparently. Probably not going to find out anything about Locke, Eko, or Desmond for a week or 2.
The first Office was great. The stuff with Pam not having a kindred spirit and mind around the office with Jim relocated was great. The woman in Jim’s new office imitating that wry look he always gives the camera was also nice.
2nd episode not as great but good. This is the show that most makes the absence of Arrested Development less painful.
Earl’s been good if not great and we got to see Catalina jump alot, though not for Joy.
24′s not until January. Eddie Izzard and James Cameron? have just been added. Iaazrd is a bad gou. Cameron Jack’s dad. Donald Sutherland too good to work with his kid? He’d be a perfect domineering government/military type father figure who doesn’t approve of his kids techiques.
In case you missed it Wayne Palmer is the new President and Regina King most probably his sister. And Alexander Siddig a bad Arab dude.
Shocker huh.
And there will be no NYC, probably little to no Chinese element either. Very troubling. They just shouldn’t bother with cliffhangers if they’re not going to follow up on them. Just kill a new character in the last scene of every season like Jack’s wife in season 1 and leave it at that.
Start with Kim.
Galactica starts Friday. I’ll have to delay watching them a while. I’m a few eps into season 2. Sharon just got offed in my galactica world. The original one anyway. The model lives on and one is apparently preggers with Helo’s hybrid. Starbuck rules my world and is stuck on Caprica with Helo, Adama is up and around but Tigh already declared Martial Law. And there were Cylons on the plane! Well, on the ship. The realones. The big shiny toaster editions. They’re gone now but I didn’t get to hear anyone yell “I want these motherfuckin Cylons off my motherfuckin battlestar!”
And what exactly makes the human looking Cylons mechanical?
I mean they have real emotions, they are virtually indistinguishable down to a genetic level. They can even have our children. So what’s the big deal?
Am I alone here people?
Resistance is futile.
Sign me up for the hybrid making farm with 6 and the Boomer edition.
It’s hard taking sides in the growing political division since Roslin has overstepped democratic boundries and is truning into a religious nut and military coups aren’t my cup of tea either. At this point I kind of want the 6′s in charge. Yeah they have some religious issues as well, at least Baltar’s 6 and the guy Roslin jettisoned in season 1 did. But they’re basically children as a species. Very young. I’ll let them have some formative fairy tales until they get stabalized.
Baltar has the god’s tool complex as well much like our monkey boy Bush. But Gaius wears it better. If I were on the ship I might have to take him out. But the man’s a genius and he’s funny as hell. If Bush could carry on two seperate conversations at once and somehow make them jibe as Baltar does with 6 and whoever, I’d give him some points. Or if he got caught sodomizing a counter top. Or freaking in the bathroom. All good, eccentric stuff. But Bush can’t carry on one conversation without getting lost and he’s Biblically frightened of sodomizing anything but our planet.
And I want season 1 music back for season 3.
Let the Lost theorizing begin.
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